
Bloomsbury Publishing , July 2020
The Artist in Time brings together twenty creatives from across the UK, with photographs by myself and interviews by Chris Fite-Wassilak, the book discloses their daily working habits and motivations.
All born before 1950, this is a collective portrait of a generation who have shaped our artistic landscape. They provide a range of different answers to the question 'what makes an artist?', and a set of insights into what makes up a creative life. Giving the reader access to the studio and working spaces of a diverse group of painters, poets, choreographers, filmmakers, illustrators, musicians, photographers, sculptors, writers and creators, The Artist in Time is a handbook for creativity and inspiration, made up of artists from all backgrounds who have all in their own way shaped, and continue to shape, the creative landscape of the United Kingdom.
Read more here.
△ Vocalist Maggie Nicols in her London home
△ A detail from Maggie's kitchen
△ Dancer Bisakha Sarkar's notebook
△ Bisakha at The Bluecoat, Liverpool
△ Painter Frank Bowling at his London studio
△ Frank Bowling's studio
“These are artists who have found a path and followed it with conviction. As painter Frank Bowling says, with a casual determination, ‘I grew into my vision’. As if it were something there, formed, ready and waiting for him - and also that once he recognised it, he would not be dissuaded from it. He just needed time to develop the skills to correlate what he saw in his head with what was on the canvas.”
△ Illustrator Ralph Steadman's hairdryer and inks
△ Ralph in his studio in Maidstone, Kent
△ Singer Shirley Collins at home in Lewes, East Sussex
△ Shirley's desk
△ Photographer David Hurn's archive
△ David at home in Tintern, Wales
△ Circus performer Elly Taylor
△ Circus performer props at Streetwise, Belfast, Northern Ireland
“‘Sorry for the mess’, was a common refrain heard whenever Ollie and I would arrive at a studio, a home, or another workspace. Perhaps that is simply the awareness that comes with allowing someone into your creative space; regardless, the idiosyncratic means of organising were always telling. Notebooks and loose papers here and there, things leaning against the wall, these are all partial steps towards a work, initial thoughts that accumulate and are continued on a day-by-day basis.”
△ Publisher Margaret Busby at The British Library, London
△ Illustrator Michael Foreman's desk at home in London
△ Filmmaker Ken Loach's bookshelf
△ Ken at his London office
△ Poet Wendy Cope at home in Ely, Cambridgeshire
△ A detail at Wendy's home
“How does anyone become an artist? You can train for years, or you might one day pick up a pen or start singing and go from there. The path to finding your own version of creativity is unpredictable, and the things that lead to becoming an artist are often unplanned and unexpected. It is important to recognise that opportunity and inspiration come in all forms.”
△ Artist Performers Sue Gill and John Fox' home in Baycliff, Cumbria
△ Sue and John in their outdoor gallery
△ Artist Anne Tallentire in her London studio
△ Anne flips through a colour chart
△ Writer, Theatre Director Roma Tomelty's garden
△ Roma at home in Belfast, Northern Ireland
Excerpts © Chris Fite-Wassilak